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Aesthetically glam metal draws heavily on the glam rock or glitter rock of the 1970s, often with very long backcombed hair, use of make-up, gaudy clothing and accessories (chiefly consisting of tight denim or leather jeans, spandex, and headbands). Like other heavy metal songs of the 1980s, they often feature shred guitar solos. Musically, glam metal uses traditional hard rock and heavy metal songs, incorporating elements of punk rock, while adding pop-influenced catchy hooks and guitar riffs. The genre rapidly lost mainstream interest from 1991 to 1993 with the rise of grunge and the release of albums such as Nirvana's Nevermind, but has enjoyed revivals since the beginning of the new millennium. It was popular throughout the 1980s and the beginning of the 1990s, combining the flamboyant look of glam rock and playing a power-chord-based heavy metal musical style.
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Although not quite as essential as Hanoi's early-'80s recordings, Twelve Shots on the Rocks is an exciting return to form for Monroe and McCoy.Glam metal (also known as hair metal and often used synonymously with pop metal) is a subgenre of hard rock and heavy metal that arose in the late 1970s and early 1980s in the United States, particularly on the Los Angeles Sunset Strip music scene. Fans of Hanoi's '80s recordings needn't worry about whether or not Monroe and McCoy still have their old chemistry their rapport is as strong as ever, and all of the hard rock, punk, and glam influences that served them so well back in the day - Kiss, the New York Dolls, Aerosmith, the Stooges, Alice Cooper, Slade, Mott the Hoople, among others - are very much at work on this CD. Monroe and McCoy offer no acknowledgment of the alternative rock scene of the early 2000s, which is probably just as well because they bring a great deal of conviction to their new material. This CD is totally oblivious to post-'80s developments in hard rock the album sounds like it could have been recorded 20 years earlier. When the '90s came to a close, it seemed like a safe bet that Hanoi would never see the light of day again, but much to the surprise of die-hard pop-metal enthusiasts, founding members Michael Monroe and Andy McCoy re-formed Hanoi Rocks in 2002 with a new lineup that included guitarist Costello, bassist Timpa, and drummer Lacu - and the result of that reunion is Twelve Shots on the Rocks. Although Hanoi called it quits in 1985, their influence on pop-metal remained quite strong throughout the late '80s - and it wasn't until the Nirvana/ Pearl Jam/grunge upheaval of 1992-1993 that their influence started to decline. Guns, and Poison) that they might as well have grown up next to the Whiskey-a-Go-Go.
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Hanoi Rocks, of course, was formed in Finland, but their trashy, hedonistic, decadent hard rock/pop-metal boogie influenced so many Los Angeles headbangers (including Mötley Crüe, Guns N' Roses, Warrant, Faster Pussycat, L.A. In the early- to mid-'80s, Hanoi Rocks was the quintessential Sunset Strip hair band - and they weren't even from southern California.